{"id":433,"date":"2024-12-12T11:20:06","date_gmt":"2020-03-31T15:17:14","guid":{"rendered":"http:\/\/sillyseason.pt\/tordesilhas-2\/"},"modified":"2025-12-05T10:11:07","modified_gmt":"2025-12-05T10:11:07","slug":"este-e-o-meu-nome","status":"publish","type":"post","link":"https:\/\/sillyseason.pt\/en\/este-e-o-meu-nome\/","title":{"rendered":"ESTE \u00c9 O MEU NOME (2024)"},"content":{"rendered":"\n

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Welcome to WordPress. This is your first post. 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This is my name<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

2024<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 1,\r\n \"col\": 5,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 89,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Synopsis<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 90,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

THIS IS MY NAME is a performance show based on the life and work of Maria Mello Giraldes \u2013 a Lisbon poet with a strong family connection to Covilh\u00e3, author of \u201c5 Espa\u00e7os\u201d (1983) and \u201c6 Momentos\u201d (1988) \u2013 to think the idea of \u200b\u200bpersonal emancipation in other territories, promoting new centers. The perception and search for a femininity that is still ostracized and made invisible in contemporary times and in the bodies that compose it will be the reason for the construction of\u00a0<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 2,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

a dramaturgy whose main references are the \u2018ghost artists\u2019 of the Portuguese 20th century. In this way, the figure of Maria Mello Giraldes will enable discourse about the \u201cnon-inscription\u201d and \u201cnon-representation\u201d, in the words of Jos\u00e9 Gil, of female narratives. Just like \u201cMem\u00f3ria da Mat\u00e9ria\u201d and \u201cMil\u00e9nios\u201d - two works that the poet ended up not publishing in her lifetime - \u201cEste \u00e9 o meu Nome\u201d also searches for a spatio-temporal ephemeris that changes the order of things.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 4,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 2895,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Credits<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 2,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Creation and Direction<\/span>
SillySeason (C\u00e1tia Tom\u00e9, Ivo Saraiva e Silva, Ricardo Teixeira)

<\/span><\/span><\/span>Interpretation
<\/span>C\u00e1tia Tom\u00e9, Ivo Saraiva e Silva, M\u00f3nica Calle e Ricardo Teixeira

<\/span><\/span><\/span><\/span>Scenography
<\/span>SillySeason<\/span><\/span><\/span><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 2,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 2,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Costumes and Props<\/span>
SillySeason<\/span>

<\/span>Sound Space Support
<\/span>Ricardo Rem\u00e9dio<\/span>

<\/span>Support for the movement
<\/span>Rodrigo Teixeira<\/span><\/span>
<\/span><\/span><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 3,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 2,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Light
<\/span>Tiago Coelho<\/span>

Photography<\/span>
<\/span>Al\u00edpio Padilha

<\/span>Graphic Design\u00a0
<\/span>Rui Miguel<\/span>
<\/span><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 4,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 2,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Production<\/span>
SillySeason<\/span><\/span><\/span><\/p>\\n

The Coletivo SillySeason is a structure funded by Dire\u00e7\u00e3o Geral das Artes<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 5,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 2,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Premiere<\/b><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 12,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Set\u00fabal International Theater Festiva<\/span>l (Portugal)
<\/span>22 August 2024<\/span><\/p>\\n

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This is my name<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

2024<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 5,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 89,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Synopsis<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 90,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

THIS IS MY NAME is a performance show based on the life and work of Maria Mello Giraldes \u2013 a Lisbon poet with a strong family connection to Covilh\u00e3, author of \u201c5 Espa\u00e7os\u201d (1983) and \u201c6 Momentos\u201d (1988) \u2013 to think the idea of \u200b\u200bpersonal emancipation in other territories, promoting new centers. The perception and search for a femininity that is still ostracized and made invisible in contemporary times and in the bodies that compose it will be the reason for the construction of\u00a0<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

a dramaturgy whose main references are the \u2018ghost artists\u2019 of the Portuguese 20th century. In this way, the figure of Maria Mello Giraldes will enable discourse about the \u201cnon-inscription\u201d and \u201cnon-representation\u201d, in the words of Jos\u00e9 Gil, of female narratives. Just like \u201cMem\u00f3ria da Mat\u00e9ria\u201d and \u201cMil\u00e9nios\u201d - two works that the poet ended up not publishing in her lifetime - \u201cEste \u00e9 o meu Nome\u201d also searches for a spatio-temporal ephemeris that changes the order of things.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Credits<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Creation and Direction<\/span>
SillySeason (C\u00e1tia Tom\u00e9, Ivo Saraiva e Silva, Ricardo Teixeira)

<\/span><\/span><\/span>Interpretation
<\/span>C\u00e1tia Tom\u00e9, Ivo Saraiva e Silva, M\u00f3nica Calle e Ricardo Teixeira

<\/span><\/span><\/span><\/span>Scenography
<\/span>SillySeason<\/span><\/span><\/span><\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Costumes and Props<\/span>
SillySeason<\/span>

<\/span>Sound Space Support
<\/span>Ricardo Rem\u00e9dio<\/span>

<\/span>Support for the movement
<\/span>Rodrigo Teixeira<\/span><\/span>
<\/span><\/span><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Light
<\/span>Tiago Coelho<\/span>

Photography<\/span>
<\/span>Al\u00edpio Padilha

<\/span>Graphic Design\u00a0
<\/span>Rui Miguel<\/span>
<\/span><\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 8,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Production<\/span>
SillySeason<\/span><\/span><\/span><\/p>\\n

The Coletivo SillySeason is a structure funded by Dire\u00e7\u00e3o Geral das Artes<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 9,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Premiere<\/b><\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 10,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 12,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Set\u00fabal International Theater Festiva<\/span>l (Portugal)
<\/span>22 August 2024<\/span><\/p>\\n

\u00a0<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 11,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 13,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u2190<\/a><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 12,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 24,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u2192<\/a><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 12,\r\n \"col\": 5,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 20,\r\n \"absolute_position\": false\r\n }\r\n ]\r\n}","_links":{"self":[{"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/posts\/433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/comments?post=433"}],"version-history":[{"count":0,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/posts\/433\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/media\/434"}],"wp:attachment":[{"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/media?parent=433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/categories?post=433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/tags?post=433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}