{"id":308,"date":"2021-12-30T17:59:27","date_gmt":"2020-03-31T15:17:14","guid":{"rendered":"http:\/\/sillyseason.pt\/dicionario-2\/"},"modified":"2025-12-05T10:20:39","modified_gmt":"2025-12-05T10:20:39","slug":"dicionario-2","status":"publish","type":"post","link":"https:\/\/sillyseason.pt\/en\/dicionario-2\/","title":{"rendered":"GERA\u00c7\u00c3O (2021)"},"content":{"rendered":"\n

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Gera\u00e7\u00e3o<\/span><\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

2021<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 1,\r\n \"col\": 5,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 89\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Synopsis<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 90\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

O projeto Gera\u00e7\u00e3o<\/i> tem como ponto de partida a compara\u00e7\u00e3o entre duas gera\u00e7\u00f5es: a gera\u00e7\u00e3o dos performers (gera\u00e7\u00e3o da d\u00e9cada de 90) e a gera\u00e7\u00e3o que a antecede (gera\u00e7\u00e3o Baby Boom). Tal compara\u00e7\u00e3o realizar-se-\u00e1 a partir dos contrastes que diferenciam estas duas gera\u00e7\u00f5es, nomeadamente a rela\u00e7\u00e3o que cada uma delas estabelece com o conceito de expectativa e, por consequ\u00eancia, de felicidade. Assim, pretende-se, com o presente projecto, uma reflex\u00e3o sobre a forma como n\u00f3s, SillySeason, nos inscrevemos na sociedade contempor\u00e2nea de <\/span><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 2,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

consumo e como nos relacionamos com os paradoxos que lhe s\u00e3o intr\u00ednsecos, quer sejam eles humanos, econ\u00f3micos ou burocr\u00e1ticos. Ser\u00e1 desenvolvido um trabalho pr\u00f3ximo de um registo autobiogr\u00e1fico, inspirado nas tend\u00eancias dramat\u00fargicas contempor\u00e2neas apelidadas de discurso do eu. Em cena estar\u00e3o tr\u00eas performers que, atrav\u00e9s do assumir de diferentes personas, se centram no seu tempo (o tempo presente) para se projectarem num tempo diferente e, cronologicamente, posterior (um tempo futuro).<\/span><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 4,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Credits <\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 2,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Conception and Direction <\/span>
SillySeason

Performance<\/span>
Ivo Saraiva e Silva, C\u00e1tia Tom\u00e9 and Ricardo Teixeira
<\/span><\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 3,\r\n \"col\": 2,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 2,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Music<\/span>
Ricardo Rem\u00e9dio

Lighting design<\/span>
Jos\u00e9 Camacho

<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 3,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 2,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Video\u00a0<\/span>
Joao Crist\u00f3v\u00e3o Leit\u00e3o<\/span>

<\/span>Costumes and Props
<\/span>In\u00eas Ariana<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 4,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 2,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"


Communication
\u00c9lia Teixeira<\/span>

<\/span>Production
<\/span>In\u00eas Pinto<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 5,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 28\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Premiere<\/b><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 12,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Teatro Cine de Gouveia (included in the ContraDan\u00e7a Festival)<\/strong>
9 October 2021<\/p>\\n

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 2,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 13,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

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},\r\n {\r\n \"relid\": 31\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"carousel\",\r\n \"cont\": \"\",\r\n \"align\": \"bottom\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 163,\r\n \"carousel_options\": {\r\n \"random\": false,\r\n \"autoplay\": true,\r\n \"showMultipleSlides\": false,\r\n \"freeScroll\": null,\r\n \"size\": \"aspectRatioOfFirstElement\",\r\n \"slidesWidth\": \"\",\r\n \"transition\": \"sliding\",\r\n \"loop\": \"1\"\r\n },\r\n \"carousel\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 309,\r\n \"cont\": \"\/wp-content\/uploads\/2021\/12\/Imagem-gerac\u0327a\u0303o-1.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/12\/Imagem-gerac\u0327a\u0303o-1.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2021\/12\/Imagem-gerac\u0327a\u0303o-1-1280x853.jpg\",\r\n \"_1024\": 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\"\/wp-content\/uploads\/2021\/12\/Imagem-Gerac\u0327a\u0303o-2-265x177.jpg\"\r\n },\r\n \"w\": 1200,\r\n \"h\": 800,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\"\r\n }\r\n ]\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Gera\u00e7\u00e3o<\/span><\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

2021<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 5,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 89,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Synopsis<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 90\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

O projeto Gera\u00e7\u00e3o<\/i> tem como ponto de partida a compara\u00e7\u00e3o entre duas gera\u00e7\u00f5es: a gera\u00e7\u00e3o dos performers (gera\u00e7\u00e3o da d\u00e9cada de 90) e a gera\u00e7\u00e3o que a antecede (gera\u00e7\u00e3o Baby Boom). Tal compara\u00e7\u00e3o realizar-se-\u00e1 a partir dos contrastes que diferenciam estas duas gera\u00e7\u00f5es, nomeadamente a rela\u00e7\u00e3o que cada uma delas estabelece com o conceito de expectativa e, por consequ\u00eancia, de felicidade. Assim, pretende-se, com o presente projecto, uma reflex\u00e3o sobre a forma como n\u00f3s, SillySeason, nos inscrevemos na sociedade contempor\u00e2nea de <\/span><\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

consumo e como nos relacionamos com os paradoxos que lhe s\u00e3o intr\u00ednsecos, quer sejam eles humanos, econ\u00f3micos ou burocr\u00e1ticos. Ser\u00e1 desenvolvido um trabalho pr\u00f3ximo de um registo autobiogr\u00e1fico, inspirado nas tend\u00eancias dramat\u00fargicas contempor\u00e2neas apelidadas de discurso do eu. Em cena estar\u00e3o tr\u00eas performers que, atrav\u00e9s do assumir de diferentes personas, se centram no seu tempo (o tempo presente) para se projectarem num tempo diferente e, cronologicamente, posterior (um tempo futuro).<\/span><\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Credits <\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Conception and Direction <\/span>
SillySeason

Performance<\/span>
Ivo Saraiva e Silva, C\u00e1tia Tom\u00e9 and Ricardo Teixeira
<\/span><\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Music<\/span>
Ricardo Rem\u00e9dio

Lighting design<\/span>
Jos\u00e9 Camacho

<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Video\u00a0<\/span>
Joao Crist\u00f3v\u00e3o Leit\u00e3o<\/span>

<\/span>Costumes and Props
<\/span>In\u00eas Ariana<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 8,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"


Communication
\u00c9lia Teixeira<\/span>

<\/span>Production
<\/span>In\u00eas Pinto

<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 9,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 779\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Premiere<\/b><\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 10,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 12\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Teatro Cine de Gouveia (included in the ContraDan\u00e7a Festival)<\/strong>
9 October 2021<\/p>\\n

\u00a0<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 11,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 13,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u2190<\/a><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 12,\r\n \"col\": 0,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 24\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u2192<\/a><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 12,\r\n \"col\": 5,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 25\r\n }\r\n ]\r\n}","_links":{"self":[{"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/posts\/308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/comments?post=308"}],"version-history":[{"count":0,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/posts\/308\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/media\/309"}],"wp:attachment":[{"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/media?parent=308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/categories?post=308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/tags?post=308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}