{"id":261,"date":"2020-10-02T15:29:02","date_gmt":"2020-03-31T15:17:14","guid":{"rendered":"http:\/\/sillyseason.pt\/dolls-2\/"},"modified":"2022-12-09T16:32:03","modified_gmt":"2022-12-09T16:32:03","slug":"fora-de-campo","status":"publish","type":"post","link":"https:\/\/sillyseason.pt\/en\/fora-de-campo\/","title":{"rendered":"FORA DE CAMPO (2020)"},"content":{"rendered":"\n<p>Welcome to WordPress. This is your first post. Edit or delete it, then start writing!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welcome to WordPress. This is your first post. 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We're undone by each other. And if we're not, we're missing something.<\/span><br \/><br \/><\/span><span style=\\\"font-family: acumin; font-size: 16px;\\\">Judith Butler<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 2,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-family: acumin; font-size: 16px;\\\">On stage there\u2019s a film set where the recording of the pilot episode of a television series is awaited. It\u2019s very hot! Action, Home and Body add to the sensationalist atmosphere, aiming to eagerly capture the spectator\u2019s attention. A script that derives from A Doll\u2019s House, by Henrik Ibsen \u2013 a narrative that melts, diluted between dream and collective illusion. The character is aware that he needs to cause empathy and be convincing in order to survive. The performer knows the standardized structure where he belongs redefines and oppresses him. The spectator will be fully aware of the several overlapping fields of action that manipulate him. <br \/><br \/><span style=\\\"font-family: Acumin-ItPro;\\\">Fora de Campo<\/span> retrieves techniques and methods used in most popular television series to reflect on the concepts of power, architecture and emancipation. 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\"https:\/\/i.ytimg.com\/vi\/VPshmaM-i6s\/hqdefault.jpg\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 5,\r\n      \"col\": 2,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 2,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 26,\r\n      \"iframe\": \"<iframe width=\\\"200\\\" height=\\\"113\\\" src=\\\"\/\/www.youtube.com\/embed\/VPshmaM-i6s?enablejsapi=1&wmode=transparent&autohide=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0?&theme=light&color=white\\\" frameborder=\\\"0\\\" allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/www.youtube.com\/watch?v=VPshmaM-i6s\",\r\n      \"w\": 200,\r\n      \"h\": 113,\r\n      \"ar\": 0.565\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\">Credits<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 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Jo\u00e3o Santos<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 2,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 2,\r\n      \"spacebelow\": 2,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Scenography<\/span><br \/>SillySeason<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Set construction<\/span><br \/>Jos\u00e9 Galamba \u2013 D\u00e9cor Galamba <br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Costumes and Props<\/span><br \/>SillySeason, In\u00eas Ariana<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Music<\/span><br \/>Ricardo Rem\u00e9dio<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Movement support<\/span><br \/>Rodrigo Teixeira <br \/><br \/><span 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\"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 90\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-family: acumin; font-size: 16px;\\\"><span style=\\\"font-family: Acumin-ItPro;\\\">Let's face it. We're undone by each other. And if we're not, we're missing something.<\/span><br \/><br \/><\/span><span style=\\\"font-family: acumin; font-size: 16px;\\\">Judith Butler<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-family: acumin; font-size: 16px;\\\">On stage there\u2019s a film set where the recording of the pilot episode of a television series is awaited. It\u2019s very hot! Action, Home and Body add to the sensationalist atmosphere, aiming to eagerly capture the spectator\u2019s attention. A script that derives from A Doll\u2019s House, by Henrik Ibsen \u2013 a narrative that melts, diluted between dream and collective illusion. The character is aware that he needs to cause empathy and be convincing in order to survive. The performer knows the standardized structure where he belongs redefines and oppresses him. The spectator will be fully aware of the several overlapping fields of action that manipulate him. <br \/><br \/><span style=\\\"font-family: Acumin-ItPro;\\\">Fora de Campo<\/span> retrieves techniques and methods used in most popular television series to reflect on the concepts of power, architecture and emancipation. Isn\u2019t our narrative made of very familiar dramas after all?<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\">Teaser<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 16\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.ytimg.com\/vi\/Tj0kOMm-STA\/hqdefault.jpg\",\r\n      \"align\": \"middle\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 17,\r\n      \"iframe\": \"<iframe width=\\\"480\\\" height=\\\"270\\\" src=\\\"\/\/www.youtube.com\/embed\/Tj0kOMm-STA?enablejsapi=1&wmode=transparent&autohide=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0?&theme=light&color=white\\\" frameborder=\\\"0\\\" allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/www.youtube.com\/watch?v=Tj0kOMm-STA&feature=youtu.be&ab_channel=SillySeasonProdu%C3%A7%C3%A3o\",\r\n      \"w\": 480,\r\n      \"h\": 270,\r\n      \"ar\": 0.5625\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\">Trailer<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 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\"https:\/\/i.ytimg.com\/vi\/VPshmaM-i6s\/hqdefault.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 9,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 2,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 27,\r\n      \"iframe\": \"<iframe width=\\\"200\\\" height=\\\"113\\\" src=\\\"\/\/www.youtube.com\/embed\/VPshmaM-i6s?enablejsapi=1&wmode=transparent&autohide=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0?&theme=light&color=white\\\" frameborder=\\\"0\\\" allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/www.youtube.com\/watch?v=VPshmaM-i6s\",\r\n      \"w\": 200,\r\n      \"h\": 113,\r\n      \"ar\": 0.565\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\">Credits<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 10,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Creation and Direction<\/span><br \/>C\u00e1tia Tom\u00e9, Ivo Saraiva e Silva e Ricardo Teixeira<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Performance<\/span><br \/>Ana Moreira, C\u00e1tia Tom\u00e9, \u00c9rica Rodrigues, Ivo Saraiva e Silva, Ricardo Teixeira, S\u00e9rgio de Brito, V\u00edtor Silva Costa<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Video direction<\/span><br \/>Jo\u00e3o Crist\u00f3v\u00e3o Leit\u00e3o<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Camera operators<\/span><br \/>Jo\u00e3o Lobo, Marta Ribeiro<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Research and documentation<\/span><br \/>Telma Jo\u00e3o Santos<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 11,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Scenography<\/span><br \/>SillySeason<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Set construction<\/span><br \/>Jos\u00e9 Galamba \u2013 D\u00e9cor Galamba <br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Costumes and Props<\/span><br \/>SillySeason, In\u00eas Ariana<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Music<\/span><br \/>Ricardo Rem\u00e9dio<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Movement support<\/span><br \/>Rodrigo Teixeira <br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Hair<\/span><br \/>Tom\u00e1s Vohlgemuth<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Lighting design<\/span><br \/>Manuel Abrantes<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 12,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Sound<br \/><span style=\\\"font-family: acumin;\\\">Jo\u00e3o Gomes<\/span><br \/><br \/>Photography<\/span><br \/>Al\u00edpio Padilha<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Graphic design<\/span><br \/>Joana Lourencinho Carneiro<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Production<\/span><br \/>Mariana Nunes <br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Press Office<\/span><br \/>\u00c9lia Teixeira<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Coproduction<\/span><br \/>SillySeason \/ RTP \u2013 R\u00e1dio e Televis\u00e3o de Portugal<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 13,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Support<\/span><br \/>Associac\u0327a\u0303o ILGA Portugal, APAV, C\u00e2mara Municipal de Lisboa, Espa\u00e7o do Tempo, Junta de Freguesia de Astromil, Teatro Ca\u0303o Solteiro, Teatro do Ele\u0301ctrico, Teatro Praga<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Acknowledgments<\/span><br \/>Daniel Gorja\u0303o, E\u0301lvio Camacho, Enrique Escamilla, Euge\u0301nia Vasques, Fernando Vilas-Boas, Jose\u0301 Maria Vieira Mendes, Jos\u00e9 Rito Nunes, Lu\u00eds Pinto Mendes, Paula Erra, Paula Sa\u0301 Nogueira, Purga, Ricardo Neves-Neves, Teresa Paixa\u0303o <br \/>Special thanks to our families. <br \/><br \/>SillySeason is a structure financed by Dire\u00e7\u00e3o Geral das Artes \u2013 Rep\u00fablica Portuguesa.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 14,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\"><b>Premiere<\/b><\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 15,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 10,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 12,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Teatro Taborda (Lisboa) <\/span><br \/>10 \u2013 13 September 2020<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 16,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 5,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 13\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\"><b>Reprise<\/b><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 17,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 18\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\"><br \/>Centro Cultural Vila Flor (Guimar\u00e3es, PT)<\/span><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Festivais Gil Vicente<\/span> <br \/>2 June 2021<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 18,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 19,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\"><br \/><\/span><span style=\\\"font-family: Acumin-Bold;\\\">Theatro Circo (Braga, PT<br \/><\/span>2 and 3 September 2021<br \/><br \/><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 19,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 31\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\"><br \/><\/span><span style=\\\"font-family: Acumin-Bold;\\\">Coliseu do Porto<\/span> <br \/><strong>Integrated at PortoPostDoc Festival<\/strong><br \/>21 Novembre 2022<br \/><br \/><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 20,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 30\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>\u00a0<\/p>\\n<p class=\\\"p1\\\"><span class=\\\"s1\\\"><b>Awards<\/b><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 21,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 565\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Ana Moreira <br \/>Pr\u00e9mio SPA (Sociedade Portuguesa de Autores)<br \/><\/span>Melhor Atriz de Teatro 2021 | Espet\u00e1culo FORA DE CAMPO<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 22,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 566\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\" style=\\\"text-align: 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