{"id":252,"date":"2020-08-17T11:50:37","date_gmt":"2020-03-31T15:17:14","guid":{"rendered":"http:\/\/sillyseason.pt\/dolls-2\/"},"modified":"2025-12-05T10:16:13","modified_gmt":"2025-12-05T10:16:13","slug":"all-tomorrows-parties","status":"publish","type":"post","link":"https:\/\/sillyseason.pt\/en\/all-tomorrows-parties\/","title":{"rendered":"ALL TOMORROW\u2019S PARTIES (2020)"},"content":{"rendered":"\n<p>Welcome to WordPress. This is your first post. Edit or delete it, then start writing!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welcome to WordPress. This is your first post. 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      \"_512\": \"\/wp-content\/uploads\/2020\/08\/SillySeason_ATP_2020-6-512x341.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2020\/08\/SillySeason_ATP_2020-6-265x177.jpg\"\r\n          },\r\n          \"w\": 1300,\r\n          \"h\": 867,\r\n          \"ar\": 0.666923076923077,\r\n          \"alt\": \"\"\r\n        }\r\n      ]\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_T\u00edtulos\\\">All Tomorrow's Parties<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default\\\" style=\\\"text-align: right;\\\">2020<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 1,\r\n      \"col\": 5,\r\n   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For ten days, creators from the field of cinema, dance, performance, and theater, inhabited Rua das Gaivotas6 and developed six artistic objects. The meeting of a generation to emerge in the contemporary cultural scene - offering them a space, visibility and conditions that contribute to their creative process - aimed to promote a new thinking that gives shape and representation to different languages. The questioning about a legacy, the one that remains in us and that is not chosen, or what we decide that is representative of us, is a crucial reason to speculate about the structural forms that condition us.\u00a0<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 2,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-family: acumin; font-size: 16px;\\\">Wishing to refuse the usual lack of support that plagues artists in the beginning of their journeys, it will be offered symbolic monetary and logistical support to all artists involved. <span style=\\\"font-family: Acumin-ItPro;\\\">ALL TOMORROW\u2019S PARTIES<\/span> is then an extended show made up of several places of speech that are quick to reflect upon and sign up for an increasingly faster tomorrow.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 4,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\">Integral show<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.ytimg.com\/vi\/gBdn9FgpIAk\/hqdefault.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 2,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"iframe\": \"<iframe width=\\\"480\\\" height=\\\"270\\\" src=\\\"\/\/www.youtube.com\/embed\/gBdn9FgpIAk?enablejsapi=1&wmode=transparent&autohide=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0?&theme=light&color=white\\\" frameborder=\\\"0\\\" allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/www.youtube.com\/watch?v=gBdn9FgpIAk\",\r\n      \"w\": 480,\r\n      \"h\": 270,\r\n      \"ar\": 0.5625\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\">Credits<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 2,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Curatorship<\/span><br \/>SillySeason<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 2,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 2,\r\n      \"spacebelow\": 2,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Projects and Artists<\/span><br \/>EXERC\u00cdCIO PARA PERFORMERS MED\u00cdOCRES \u2013 Tita Maravilha <br \/>Constru\u00e7\u00e3o \/ Desconstru\u00e7\u00e3o \u2013 Alexandra Barbosa<br \/>ROLERO \u2013 Rodrigo Teixeira<br \/>&lt;exposing it after it has already been revealed&gt; \u2013 Ana Lib\u00f3rio<br \/>Chambre 19 \u2013 Beatriz Dias<br \/>VARFINE 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style=\\\"line-height: 1;\\\"><span style=\\\"font-family: acumin; font-size: 16px;\\\"><span style=\\\"font-family: Acumin-ItPro;\\\">ALL TOMORROW\u2019S PARTIES<\/span> is a curatorial project in which SillySeason invited six emerging artists to confront the idea of \u200b\u200blegacy. 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