{"id":214,"date":"2020-04-16T15:02:55","date_gmt":"2020-03-31T15:17:14","guid":{"rendered":"http:\/\/sillyseason.pt\/dolls-3\/"},"modified":"2021-07-25T10:13:20","modified_gmt":"2021-07-25T10:13:20","slug":"folle-epoque","status":"publish","type":"post","link":"https:\/\/sillyseason.pt\/en\/folle-epoque\/","title":{"rendered":"FOLLE \u00c9POQUE (2020)"},"content":{"rendered":"\n<p>Welcome to WordPress. This is your first post. Edit or delete it, then start writing!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welcome to WordPress. This is your first post. Edit or delete it, then start writing!<\/p>\n","protected":false},"author":1,"featured_media":216,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"class_list":["post-214","post","type-post","status-publish","has-post-thumbnail","hentry","category-projetos-home"],"grid":"{\r\n  \"colCount\": 6,\r\n  \"colGutter\": 2,\r\n  \"rowGutters\": [\r\n    2,\r\n    2,\r\n    2,\r\n    2,\r\n    0,\r\n    0,\r\n    0,\r\n    2\r\n  ],\r\n  \"frameMargin\": 3,\r\n  \"topFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 1.5,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"bgcolor\": \"#00bcfa\"\r\n    },\r\n    {},\r\n    {},\r\n    {},\r\n    {\r\n      \"bgcolor\": \"#00bcfa\"\r\n    },\r\n    {\r\n      \"bgcolor\": \"#00bcfa\"\r\n    },\r\n    {\r\n      \"bgcolor\": \"#00bcfa\"\r\n    },\r\n    {\r\n      \"bgcolor\": \"#00bcfa\"\r\n    },\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      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A series of hypothetical narratives that refer to both periods are brought to stage, placing them face-to-face with one another.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 2,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-family: acumin; font-size: 16px;\\\">The 1920s merge into 2020, as in an interplay between real-reality and fictional-reality - in a kind of <span style=\\\"font-family: Acumin-ItPro;\\\">mise<\/span> en <span style=\\\"font-family: Acumin-ItPro;\\\">abyme<\/span>. 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   \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default\\\" style=\\\"text-align: right;\\\">2020<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 4,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 89,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\">Synopsis<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 90\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-family: acumin; font-size: 16px;\\\"><span style=\\\"font-family: Acumin-ItPro;\\\">Folle \u00c9poque<\/span> celebrates the centenary of the Roaring Twenties and proposes to revisit this historical period considering the ambiguous and therefore difficult to define times we are living in. A series of hypothetical narratives that refer to both periods are brought to stage, placing them face-to-face with one another.<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-family: acumin; font-size: 16px;\\\">The 1920s merge into 2020, as in an interplay between real-reality and fictional-reality - in a kind of <span style=\\\"font-family: Acumin-ItPro;\\\">mise<\/span> en <span style=\\\"font-family: Acumin-ItPro;\\\">abyme<\/span>. The craziness of these times and their inherent excesses mirror the ethical and moral conflict of post-modernity.<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\">Synopsis<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 30\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.ytimg.com\/vi\/wASW_8nsqbU\/hqdefault.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 14,\r\n      \"iframe\": \"<iframe width=\\\"200\\\" height=\\\"113\\\" src=\\\"\/\/www.youtube.com\/embed\/wASW_8nsqbU?enablejsapi=1&wmode=transparent&autohide=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0?&theme=light&color=white\\\" frameborder=\\\"0\\\" allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/www.youtube.com\/watch?v=wASW_8nsqbU\",\r\n      \"w\": 200,\r\n      \"h\": 113,\r\n      \"ar\": 0.565,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\">Credits<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n 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\"push\": 0,\r\n      \"relid\": 9,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Movement Support<br \/><span style=\\\"font-family: acumin;\\\">Rodrigo Teixeira<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Hair<\/span><br \/>Tom\u00e1s Vohlgemuth<\/span><br \/><br \/>Photography<\/span><br \/>Al\u00edpio Padilha<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Graphic Design<\/span><br \/>Joana Carneiro<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Production<br \/><\/span>Mariana Nunes<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Press Office\u00a0<br \/><span style=\\\"font-family: acumin;\\\">\u00c9lia Teixeira<\/span><\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 10,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 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