{"id":174,"date":"2020-04-14T16:50:11","date_gmt":"2020-03-31T15:17:14","guid":{"rendered":"http:\/\/sillyseason.pt\/panorama-2\/"},"modified":"2020-07-20T16:44:04","modified_gmt":"2020-07-20T16:44:04","slug":"antigona","status":"publish","type":"post","link":"https:\/\/sillyseason.pt\/en\/antigona\/","title":{"rendered":"ANT\u00cdGONA (2015)"},"content":{"rendered":"\n<p>Welcome to WordPress. This is your first post. Edit or delete it, then start writing!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welcome to WordPress. This is your first post. Edit or delete it, then start writing!<\/p>\n","protected":false},"author":1,"featured_media":231,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"class_list":["post-174","post","type-post","status-publish","has-post-thumbnail","hentry","category-projetos-home"],"grid":"{\r\n  \"colCount\": 6,\r\n  \"colGutter\": 2,\r\n  \"rowGutters\": [\r\n    2,\r\n    2,\r\n    2,\r\n    2,\r\n    0,\r\n    0,\r\n    0,\r\n    2\r\n  ],\r\n  \"frameMargin\": 3,\r\n  \"topFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 1.5,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"bgcolor\": \"#f15a55\"\r\n    },\r\n    {},\r\n    {},\r\n    {},\r\n    {\r\n      \"bgcolor\": \"#f15a55\"\r\n    },\r\n    {\r\n      \"bgcolor\": \"#f15a55\"\r\n    },\r\n    {\r\n      \"bgcolor\": \"#f15a55\"\r\n    },\r\n    {\r\n      \"bgcolor\": \"#f15a55\"\r\n    },\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      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1;\\\"><span style=\\\"font-family: acumin; font-size: 16px;\\\"><span style=\\\"font-family: Acumin-ItPro;\\\">Ant\u00edgona<\/span> is an art installation by SillySeason which retrieves the narrative from the Greek tragedy by Sophocles, <span style=\\\"font-family: Acumin-ItPro;\\\">Antigone<\/span> (442 BC). In it, Antigone decides to bury the corpse of her brother Polynices, in defiance of regent Creon\u2019s edict. For that, Creon condemns Antigone to be buried alive in a tomb. A duel is then fought \u2013 Antigone versus Creon, the will of the gods versus state law, human conviction versus the impartiality of duty. The dialogue that erupts from these two opposing positions \u2013 materialized in two film versions \u2013 proves to be impossible, for such positions cancel each other out.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 2,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-family: acumin; font-size: 16px;\\\">Thus, through the personification of Polynices, whose death triggers the narrative, SillySeason \u2013 also waiting for their burial or abandonment \u2013, encourage the spectators to take a stand (whether it is Antigone\u2019s, Creon\u2019s, or other) by giving them total freedom to enter the exhibit space. Such a proposal is obtained through the appropriation of iconic paintings \u2013 portraits that depict human death, namely that of individuals who have given up their lives in favour of artistic, political, and religious ideals. In these paintings, the concepts of waiting and death are staged and deformed, almost as in an act of resistance.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 4,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default\\\" style=\\\"text-align: left;\\\">Trailer<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 17\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.vimeocdn.com\/video\/704465876_640.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      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\"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Creation, Direction and Performance<\/span><br \/>SillySeason<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Guest Artist<br \/><\/span>Paula S\u00e1 Nogueira<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 2,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 2,\r\n      \"spacebelow\": 2,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Production<br \/><\/span>Jo\u00e3o Rom\u00e3ozinho, SillySeason<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Image and Assembly Assistance<br \/><\/span>Jo\u00e3o Miranda<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 3,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 2,\r\n      \"spacebelow\": 2,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Sound Assistant<br \/><\/span>Pedro Rocha<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Post-production Assistance<br \/><\/span>Miguel Leit\u00e3o<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 4,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 2,\r\n      \"spacebelow\": 2,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: 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\"\/wp-content\/uploads\/2020\/04\/SillySeason_antigona_2015_3-1280x854.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2020\/04\/SillySeason_antigona_2015_3-1024x683.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2020\/04\/SillySeason_antigona_2015_3-768x512.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2020\/04\/SillySeason_antigona_2015_3-512x341.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2020\/04\/SillySeason_antigona_2015_3-265x177.jpg\"\r\n          },\r\n          \"w\": 1300,\r\n          \"h\": 867,\r\n          \"ar\": 0.666923076923077,\r\n          \"alt\": \"\"\r\n        }\r\n      ]\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_T\u00edtulos\\\">Ant\u00edgona<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default\\\" style=\\\"text-align: right;\\\">2015<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 5,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 89,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\">Synopsis<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 90\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-family: acumin; font-size: 16px;\\\"><span style=\\\"font-family: Acumin-ItPro;\\\">Ant\u00edgona<\/span> is an art installation by SillySeason which retrieves the narrative from the Greek tragedy by Sophocles, <span style=\\\"font-family: Acumin-ItPro;\\\">Antigone<\/span> (442 BC). In it, Antigone decides to bury the corpse of her brother Polynices, in defiance of regent Creon\u2019s edict. For that, Creon condemns Antigone to be buried alive in a tomb. A duel is then fought \u2013 Antigone versus Creon, the will of the gods versus state law, human conviction versus the impartiality of duty. The dialogue that erupts from these two opposing positions \u2013 materialized in two film versions \u2013 proves to be impossible, for such positions cancel each other out.<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p style=\\\"line-height: 1;\\\"><span style=\\\"font-family: acumin; font-size: 16px;\\\">Thus, through the personification of Polynices, whose death triggers the narrative, SillySeason \u2013 also waiting for their burial or abandonment \u2013, encourage the spectators to take a stand (whether it is Antigone\u2019s, Creon\u2019s, or other) by giving them total freedom to enter the exhibit space. Such a proposal is obtained through the appropriation of iconic paintings \u2013 portraits that depict human death, namely that of individuals who have given up their lives in favour of artistic, political, and religious ideals. In these paintings, the concepts of waiting and death are staged and deformed, almost as in an act of resistance.<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default\\\" style=\\\"text-align: left;\\\">Trailer<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 17\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.vimeocdn.com\/video\/704465876_640.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 14,\r\n      \"iframe\": \"<iframe src=\\\"\/\/player.vimeo.com\/video\/272818740?api=1&title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\\\" width=\\\"640\\\" height=\\\"360\\\" frameborder=\\\"0\\\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/vimeo.com\/272818740\",\r\n      \"w\": 640,\r\n      \"h\": 360,\r\n      \"ar\": 0.5625\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\">Credits <\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Creation, Direction and Performance<\/span><br \/>SillySeason<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Guest Artist<br \/><\/span>Paula S\u00e1 Nogueira<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Production<br \/><\/span>Jo\u00e3o Rom\u00e3ozinho, SillySeason<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Image and Assembly Assistance<br \/><\/span>Jo\u00e3o Miranda<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 9,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Sound Assistant<br \/><\/span>Pedro Rocha<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Post-production Assistance<br \/><\/span>Miguel Leit\u00e3o<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 10,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Support<br \/><\/span>BREGAS studio, Pixel Bunker, Queer Lisboa<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 11,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\"><b>Premiere<\/b><\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 12,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 10,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 12\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Cinema S\u00e3o Jorge <br \/>(Lisboa, PT)<\/span><br \/>September 23, 2015<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 13,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 13,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\"><b>Reprise<\/b><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 14,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 10,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Cinema Nimas (Lisboa, PT) <\/span><br \/>December 12, 2015<br \/><br \/><span style=\\\"font-family: Acumin-Bold;\\\">Festival Caminhos do Cinema Portugu\u00eas (Coimbra, PT)<\/span><br \/>November 24, 2018<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 15,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 27\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\"><span class=\\\"s1\\\">Press<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 16,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 10,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 16\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\" style=\\\"line-height: 1.1;\\\"><a href=\\\"http:\/\/queerlisboa.pt\/artigo\/dia-6-coletivo-sillyseason-apresenta-antigona-no-ql19\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><span style=\\\"font-family: Acumin-Bold;\\\">QueerLisboa<\/span><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 17,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 19,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Notas\\\" style=\\\"line-height: 1.1;\\\"><a href=\\\"https:\/\/www.caminhos.info\/filmes\/24ccp-465-antigona-sillyseason\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><span style=\\\"font-family: Acumin-Bold;\\\">Caminhos<\/span><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 18,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      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rel=\\\"noopener\\\"><span style=\\\"font-family: Acumin-Bold;\\\">IMDb<\/span><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 20,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 5,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 22\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\" style=\\\"text-align: left;\\\"><a class=\\\"layprevproject\\\" href=\\\"#layprevproject\\\">\u2190<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 21,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 24\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"p1\\\" style=\\\"text-align: left;\\\"><a class=\\\"laynextproject\\\" href=\\\"#laynextproject\\\">\u2192<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 21,\r\n      \"col\": 5,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 4,\r\n      \"relid\": 25\r\n    }\r\n  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