{"id":218,"date":"2020-04-16T15:27:11","date_gmt":"2020-03-31T15:17:14","guid":{"rendered":"http:\/\/sillyseason.pt\/sobre-2\/"},"modified":"2025-07-21T09:31:48","modified_gmt":"2025-07-21T09:31:48","slug":"artists","status":"publish","type":"page","link":"https:\/\/sillyseason.pt\/en\/artists\/","title":{"rendered":"Artists"},"content":{"rendered":"\n

This is an example page. It’s different from a blog post because it will stay in one place and will show up in your site navigation (in most themes). Most people start with an About page that introduces them to potential site visitors. It might say something like this:<\/p>\n\n\n\n

Hi there! I’m a bike messenger by day, aspiring actor by night, and this is my website. I live in Los Angeles, have a great dog named Jack, and I like piña coladas. (And gettin’ caught in the rain.)<\/p><\/blockquote>\n\n\n\n

…or something like this:<\/p>\n\n\n\n

The XYZ Doohickey Company was founded in 1971, and has been providing quality doohickeys to the public ever since. Located in Gotham City, XYZ employs over 2,000 people and does all kinds of awesome things for the Gotham community.<\/p><\/blockquote>\n\n\n\n

As a new WordPress user, you should go to your dashboard<\/a> to delete this page and create new pages for your content. Have fun!<\/p>\n","protected":false},"excerpt":{"rendered":"

This is an example page. It’s different from a blog post because it will stay in one place and will show up in your site navigation (in most themes). Most people start with an About page that introduces them to potential site visitors. It might say something like this: Hi there! I’m a bike messenger […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"open","template":"","meta":[],"class_list":["post-218","page","type-page","status-publish","hentry"],"grid":"{\r\n \"colCount\": 6,\r\n \"colGutter\": 2,\r\n \"rowGutters\": [\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2\r\n ],\r\n \"frameMargin\": 3,\r\n \"topFrameMargin\": 6,\r\n \"bottomFrameMargin\": 1.5,\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 1\r\n },\r\n {\r\n \"relid\": 2\r\n },\r\n {\r\n \"relid\": 3\r\n },\r\n {\r\n \"relid\": 11\r\n },\r\n {\r\n \"relid\": 12\r\n },\r\n {\r\n \"relid\": 13\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

C\u00e1tia Tom\u00e9<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329.jpeg\",\r\n \"align\": \"middle\",\r\n \"row\": 0,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 409,\r\n \"attid\": 464,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329.jpeg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-3200x4800.jpeg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-2560x3840.jpeg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-1920x2880.jpeg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-1280x1920.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-1024x1536.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-768x1152.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-512x768.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-265x397.jpeg\"\r\n },\r\n \"w\": 3733,\r\n \"h\": 5599,\r\n \"ar\": 1.4998660594695954,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Biography<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Creator and performer. Co-founder of the artistic collective SillySeason (2012), where she develops her work focusing in the field of performing arts and its contemporary languages. C\u00e1tia Tom\u00e9 has a degree in Theatre from the Lisbon Theatre and Film School (ESTC \u2013 IPL) and the School of Communications and Arts of the University of S\u00e3o Paulo (ECA \u2013 USP). She also attended the Faculty of Law of the University of Lisbon and the Professional Training Centre for Journalists \u2013 Cenjor. <\/span><\/p>\\n

Her collaborative work includes projects such as Day for Night<\/span> (2014) and Fim da Fita<\/span> (2014), created by C\u00e3o Solteiro and Andr\u00e9 Godinho for Culturgest (Portugal); BAD TRIP<\/span> (2014), created by Ana Sampaio e Maia for Kunstfestival Begehungen (Germany); Choro Falso<\/span> (2012), created by brazilian visual artist Bruno Moreschi for the University of Campinas (Brazil); Ensaio<\/span> (2012), by Dinis M. Costa and Wrathful love line, like love<\/span> (2011), by A Tua Prima.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 2,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 224,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

She is regularly cast in Marco A. Laureano\u2019s films and has appeared in television productions. She was a lecturer from 2010 until 2019 and part of the artist development residency MAKE, in Annaghmakerring (Ireland).\u00a0 C\u00e1tia Tom\u00e9 was invited as a guest actress and creator by the Institut Fran\u00e7ais in Lisbon to be part of the NLE sessions (2019-2020).<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 4,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 225,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Ivo Saraiva
e Silva<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330.jpeg\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 793,\r\n \"attid\": 465,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330.jpeg\"\r\n },\r\n \"w\": 3887,\r\n \"h\": 5830,\r\n \"ar\": 1.499871366092102,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Biography<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Ivo Saraiva e Silva is one of the founders of the SillySeason theater company, where he is artistic <\/span>director, director, actor and playwright. He is a PhD candidate in Performing Languages at the <\/span>Faculty of Social Sciences and Humanities of Universidade Nova de Lisboa, where he also earned <\/span>a master's degree in Communication and the Arts. He has a degree in Drama from the Escola <\/span>Superior de Teatro e Cinema and completed a professional acting course at Balleteatro. He also <\/span>started a master's degree in Directing at ESTC. Her work has been presented in Spain, Brazil, <\/span>Ireland, the Czech Republic, Chile, Germany, Turkey and Belgium. Highlights include <\/span>collaborations with David Allen, Rui Horta, Filipe La F\u00e9ria, Jorge Silva Melo, Jo\u00e3o Pedro Vale and <\/span>Nuno Alexandre Ferreira, Luiz L. Antunes, S\u00e9rgio Diogo Matias, and Teatro Praga, Tercer Abstracto <\/span>and Escola de Mulheres, among others. He won the prize for best Portuguese short film at the <\/span>Queer Lisboa 18 Festival with Frei Lu\u00eds de Sousa<\/em> (2014).She was part of the evaluation committee <\/span>for the Proje\u00e7\u00f5es festival<\/em> (2024), promoted by Balleteatro. He has published Castro<\/em> (2021), <\/span>Pigmali\u00e3o<\/em> (2022) and A Cauda da Europa<\/em> (2023) by H\u00famus publishing house, at the invitation of <\/span>Teatro Nova Europa, as well as four texts by SillySeason in the Livrinos de Teatro dos Artistas <\/span>Unidos, by Snob Editora.\u00a0<\/span><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 2,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

He collaborated with Ricardo Caba\u00e7a on a project to rewrite Homero's<\/em> <\/span>Odyssey<\/em> (2020) and participated as a guest playwright in the DraMITurga project at the MIT <\/span>Ribadavia Festival in Galicia (2021).He took part in the series Regresso a \u00cdtaca<\/em> (2023), directed by <\/span>Ricardo Caba\u00e7a for RTP.\u00a0 Since 2024, he has been teaching Acting at ESAP - Escola Superior <\/span>Art\u00edstica do Porto, and Acting and Dramaturgy at Balleteatro since 2023.\u00a0 He was invited to direct <\/span>the final show of the SET Festival 2019, and directed, with Pedro Penim, the latest Maria Matos <\/span>Teatro Municipal schools project, Hoje \u00e9 o dia<\/em> (2018), in collaboration with the D. Filipa de <\/span>Lencastre Secondary School.From 2012 to 2019, he taught theater in primary and secondary <\/span>schools. He was a critic for FATAL<\/em> (2012) and has been writing in the Opinion section of the <\/span>newspaper Not\u00edcias do T\u00e2mega de Amarante and on the CoffeePaste platform.He is the curator of <\/span>All Tomorrows' Parties, which brings together various artists from different areas, from 2020 to the <\/span>present.<\/span><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 4,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Ricardo Teixeira<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331.jpeg\",\r\n \"align\": \"middle\",\r\n \"row\": 4,\r\n \"col\": 2,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 241,\r\n \"attid\": 466,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331.jpeg\",\r\n \"_3840\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-3840x5760.jpeg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-3200x4800.jpeg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-2560x3840.jpeg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-1920x2880.jpeg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-1280x1920.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-1024x1536.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-768x1152.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-512x768.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-265x398.jpeg\"\r\n },\r\n \"w\": 4000,\r\n \"h\": 6000,\r\n \"ar\": 1.5,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Biography<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 242,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Ricardo Teixeira studied at the Balleteatro Professional School, which he attended from 2006 to 2009, and has a degree in Theatre, specialising in the field of acting, from the Lisbon Theatre and Film School (ESTC \u2013 IPL). He participated in projects such as Oil Ain't All, JR<\/span> (2010) and Sonho de Uma Noite de Ver\u00e3o<\/span> (2010), created by Teatro Praga; A Morte de Danton<\/span> (2012), directed by Jorge Silva Melo and O Aldrab\u00e3o<\/span> (2013), staged by Jo\u00e3o Mota. He was a guest artist and performer in the international project TABUROPA (2014, Portugal, Poland, Germany, Belgium), on which he worked with the director and choreographer Arco Renz.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 2,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 243,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

In the creation field, Ricardo Teixeira staged Ps: I Love You, Lady Macbeth<\/span> (2011) along with Ivo Saraiva e Silva. In 2012, he co-founded the artistic collective SillySeason, where he currently works as an actor, performer, and artistic director. In 2017, he starred in Al Berto<\/span>, directed by Vicente Alves do \u00d3. \u00a0 \u00a0<\/span><\/p>\\n

He has been teaching Interpretation at the Balleteatro Contemporaneo do Porto Professional School since 2018.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 4,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 244,\r\n \"absolute_position\": false\r\n }\r\n ]\r\n}","phonegrid":"{\r\n \"colCount\": 6,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 5,\r\n 5,\r\n 5,\r\n 10,\r\n 5,\r\n 5,\r\n 5,\r\n \"\",\r\n 10,\r\n 5,\r\n 5,\r\n 5\r\n ],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": 3,\r\n \"bottomFrameMargin\": 0,\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 14\r\n },\r\n {\r\n \"relid\": 15\r\n },\r\n {\r\n \"relid\": 16\r\n },\r\n {\r\n \"relid\": 17\r\n },\r\n {\r\n \"relid\": 18\r\n },\r\n {\r\n \"relid\": 19\r\n },\r\n {\r\n \"relid\": 20\r\n },\r\n {\r\n \"relid\": 21\r\n },\r\n {\r\n \"relid\": 22\r\n },\r\n {\r\n \"relid\": 23\r\n },\r\n {\r\n \"relid\": 24\r\n },\r\n {\r\n \"relid\": 25\r\n },\r\n {\r\n \"relid\": 26\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

C\u00e1tia Tom\u00e9<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 397,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329.jpeg\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 27,\r\n \"attid\": 464,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329.jpeg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-3200x4800.jpeg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-2560x3840.jpeg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-1920x2880.jpeg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-1280x1920.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-1024x1536.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-768x1152.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-512x768.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/07\/IMG_1329-265x397.jpeg\"\r\n },\r\n \"w\": 3733,\r\n \"h\": 5599,\r\n \"ar\": 1.4998660594695954,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"both\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Biography<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 610,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Creator and performer. Co-founder of the artistic collective SillySeason (2012), where she develops her work focusing in the field of performing arts and its contemporary languages. C\u00e1tia Tom\u00e9 has a degree in Theatre from the Lisbon Theatre and Film School (ESTC \u2013 IPL) and the School of Communications and Arts of the University of S\u00e3o Paulo (ECA \u2013 USP). She also attended the Faculty of Law of the University of Lisbon and the Professional Training Centre for Journalists \u2013 Cenjor.

<\/span>Her collaborative work includes projects such as Day for Night<\/span> (2014) and Fim da Fita<\/span> (2014), created by C\u00e3o Solteiro and Andr\u00e9 Godinho for Culturgest (Portugal); BAD TRIP<\/span> (2014), created by Ana Sampaio e Maia for Kunstfestival Begehungen (Germany); Choro Falso<\/span> (2012), created by brazilian visual artist Bruno Moreschi for the University of Campinas (Brazil); Ensaio<\/span> (2012), by Dinis M. Costa and Wrathful love line, like love<\/span> (2011), by A Tua Prima.

She is regularly cast in Marco A. Laureano\u2019s films and has appeared in television productions. She was a lecturer from 2010 until 2019 and part of the artist development residency MAKE, in Annaghmakerring (Ireland).\u00a0 C\u00e1tia Tom\u00e9 was invited as a guest actress and creator by the Institut Fran\u00e7ais in Lisbon to be part of the NLE sessions (2019-2020).
<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 611,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Ivo Saraiva
e Silva<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330.jpeg\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 28,\r\n \"attid\": 465,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330.jpeg\",\r\n \"_3840\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330-3840x5760.jpeg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330-3200x4800.jpeg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330-2560x3840.jpeg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330-1920x2880.jpeg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330-1280x1920.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330-1024x1536.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330-768x1152.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330-512x768.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/07\/IMG_1330-265x397.jpeg\"\r\n },\r\n \"w\": 3887,\r\n \"h\": 5830,\r\n \"ar\": 1.499871366092102,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"both\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Biography<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Ivo Saraiva e Silva is one of the founders of the SillySeason theater company, where he is artistic <\/span>director, director, actor and playwright. He is a PhD candidate in Performing Languages at the <\/span>Faculty of Social Sciences and Humanities of Universidade Nova de Lisboa, where he also earned <\/span>a master's degree in Communication and the Arts. He has a degree in Drama from the Escola <\/span>Superior de Teatro e Cinema and completed a professional acting course at Balleteatro. He also <\/span>started a master's degree in Directing at ESTC. Her work has been presented in Spain, Brazil, <\/span>Ireland, the Czech Republic, Chile, Germany, Turkey and Belgium. Highlights include <\/span>collaborations with David Allen, Rui Horta, Filipe La F\u00e9ria, Jorge Silva Melo, Jo\u00e3o Pedro Vale and <\/span>Nuno Alexandre Ferreira, Luiz L. Antunes, S\u00e9rgio Diogo Matias, and Teatro Praga, Tercer Abstracto <\/span>and Escola de Mulheres, among others. He won the prize for best Portuguese short film at the <\/span>Queer Lisboa 18 Festival with Frei Lu\u00eds de Sousa<\/em> (2014).She was part of the evaluation committee <\/span>for the Proje\u00e7\u00f5es festival<\/em> (2024), promoted by Balleteatro. He has published Castro<\/em> (2021), <\/span>Pigmali\u00e3o<\/em> (2022) and A Cauda da Europa<\/em> (2023) by H\u00famus publishing house, at the invitation of <\/span>Teatro Nova Europa, as well as four texts by SillySeason in the Livrinos de Teatro dos Artistas <\/span>Unidos, by Snob Editora.\u00a0<\/span><\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

He collaborated with Ricardo Caba\u00e7a on a project to rewrite Homero's<\/em> <\/span>Odyssey<\/em> (2020) and participated as a guest playwright in the DraMITurga project at the MIT <\/span>Ribadavia Festival in Galicia (2021).He took part in the series Regresso a \u00cdtaca<\/em> (2023), directed by <\/span>Ricardo Caba\u00e7a for RTP.\u00a0 Since 2024, he has been teaching Acting at ESAP - Escola Superior <\/span>Art\u00edstica do Porto, and Acting and Dramaturgy at Balleteatro since 2023.\u00a0 He was invited to direct <\/span>the final show of the SET Festival 2019, and directed, with Pedro Penim, the latest Maria Matos <\/span>Teatro Municipal schools project, Hoje \u00e9 o dia<\/em> (2018), in collaboration with the D. Filipa de <\/span>Lencastre Secondary School.From 2012 to 2019, he taught theater in primary and secondary <\/span>schools. He was a critic for FATAL<\/em> (2012) and has been writing in the Opinion section of the <\/span>newspaper Not\u00edcias do T\u00e2mega de Amarante and on the CoffeePaste platform.He is the curator of <\/span>All Tomorrows' Parties, which brings together various artists from different areas, from 2020 to the <\/span>present.<\/span><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 48,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Ricardo Teixeira<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 9,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 390,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331.jpeg\",\r\n \"align\": \"middle\",\r\n \"row\": 10,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 29,\r\n \"attid\": 466,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331.jpeg\",\r\n \"_3840\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-3840x5760.jpeg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-3200x4800.jpeg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-2560x3840.jpeg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-1920x2880.jpeg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-1280x1920.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-1024x1536.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-768x1152.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-512x768.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/07\/IMG_1331-265x398.jpeg\"\r\n },\r\n \"w\": 4000,\r\n \"h\": 6000,\r\n \"ar\": 1.5,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"both\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Biography<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 11,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 389,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Ricardo Teixeira studied at the Balleteatro Professional School, which he attended from 2006 to 2009, and has a degree in Theatre, specialising in the field of acting, from the Lisbon Theatre and Film School (ESTC \u2013 IPL). He participated in projects such as Oil Ain't All, JR<\/span> (2010) and Sonho de Uma Noite de Ver\u00e3o<\/span> (2010), created by Teatro Praga; A Morte de Danton<\/span> (2012), directed by Jorge Silva Melo and O Aldrab\u00e3o<\/span> (2013), staged by Jo\u00e3o Mota. He was a guest artist and performer in the international project TABUROPA (2014, Portugal, Poland, Germany, Belgium), on which he worked with the director and choreographer Arco Renz.

<\/span>In the creation field, Ricardo Teixeira staged Ps: I Love You, Lady Macbeth<\/span> (2011) along with Ivo Saraiva e Silva. In 2012, he co-founded the artistic collective SillySeason, where he currently works as an actor, performer, and artistic director. In 2017, he starred in Al Berto<\/span>, directed by Vicente Alves do \u00d3.

<\/span>He has been teaching Interpretation at the Balleteatro Contemporaneo do Porto Professional School since 2018.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 12,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 388,\r\n \"absolute_position\": false\r\n }\r\n ]\r\n}","_links":{"self":[{"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/pages\/218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/comments?post=218"}],"version-history":[{"count":0,"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/pages\/218\/revisions"}],"wp:attachment":[{"href":"https:\/\/sillyseason.pt\/en\/wp-json\/wp\/v2\/media?parent=218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}